Studio Equipment charts

Notes: Inspired by the classic SH-101, Roland's S-1 is a modern take on vintage synth principles, with virtual analogue sound, four-voice polyphony and built-in sequencing.

Supplier's Notes:
Divine a new world of sound with the S-1 Tweak Synth, a potent micro polysynth inspired by the legendary Roland SH-101. Jam with the snappy basses and expressive leads you've loved for years. Then launch your music into uncharted territory with futuristic wave manipulation, onboard sequencing, and unique performance features designed for modern creators. With its inspiring hands-on controls and intuitive workflow, the powerful S-1 delivers a fun and satisfying experience for beginners and serious synth adventurers alike.

The S-1 merges retro spirit and advanced capabilities in a pocket-size package you can take anywhere. Roland's evolving Analog Circuit Behavior (ACB) tech provides the authentic tone and response of the SH-101, an iconic '80s monosynth embraced for its characterful sound and simple, direct-access panel. Extending the original's design with four-voice polyphony and a slate of innovative features for next-level music creation, the S-1 makes it easy for musicians at any level to explore the power of synthesis through a friendly, uncomplicated interface.

Tone tweakers' paradise

Loaded with expressive tactile controls, the S-1 is a sound design and performance powerhouse in miniature. Create lavish tones with oscillator, envelope, filter, and LFO sections. Dive into deeper design tools with quick combo button presses. Adjust effects using dedicated knobs. And with 26 multi-function pads, you have access to a keyboard with a two-plus octave range, a step sequencer interface, and a wealth of creative options to spark fresh ideas.

Wild sound design.

The S-1 is primed to push classic SH tones into new dimensions. Build from square, saw, sub, and noise oscillators and mono, poly, unison, and chord modes. Or craft custom waveshapes on the step pads using the powerful OSC Draw function. OSC Chop unlocks even more harmonic potential, allowing you to cut waveforms into sections and explore a labyrinth of metallic timbres. Then top off your tones by using the noise oscillator as an independent riser to add sweeps and pulsing sound effects.

Inspired sequencing.

Create compelling music in moments with the S-1's 64-step sequencer and 64 patterns. Record live with the onboard keyboard or switch to step mode for detailed note entry and editing. Use motion recording to animate patterns with panel control tweaks or set parameter values for individual steps. Then delve into probability settings for randomization, sub steps for rapid-fire rhythms, and other features like velocity, shuffle, portamento, and more to bring your music to life.

Performance playground

The S-1 is packed with features to inspire dynamic performances. Get physical with D-Motion to create compelling sound changes simply by moving the synth. Pop on the arpeggiator for cascading musical moments. Trigger the Step Loop function for live fills and on-the-fly rhythmic improv. And transpose patterns with just a few quick touches to instantly add harmonic richness to your jams.

Immortal effects

Enhance your sonic palette with a wide selection of classic Roland effects. Add shimmering dimension with lush choruses derived from the iconic JUNO and JX-3P synths. Introduce spaciousness and movement with manual and tempo-synced delays. Then envelop your sounds with studio-grade reverb effects and a variety of adjustable parameters.

Unbound versatility

The S-1 has all the connectivity you need to sync with your musical world. Link up with other AIRA Compacts like the T-8 Beat Machine, J-6 Chord Synthesizer, and E-4 Voice Tweaker to create a portable creative juggernaut. Interface with computer DAWS and mobile music apps via USB-C.

User Patterns: 64
Step Sequencer: 64 steps

Effects:
DELAY, REVERB, CHORUS

Display: 7 segments, 4 characters (LED)

Connectors:
SYNC (IN, OUT) jacks: Miniature phone type
MIX (IN, OUT) /PHONES jacks: Stereo miniature phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
USB port: USB Type-Cr (Audio, MIDI)

Power Supply:
Rechargeable lithium-ion battery
Obtained via USB port (USB bus power)

Current Draw: 500 mA

Expected battery life under continuous use: Approx. 4.5 hours
* These figures will vary depending on the actual conditions of use.
Expected battery charging time: Approx. 3 hours
* To charge the unit, use the USB port of a computer or a commercially available USB power supply adaptor (5 V, 500 mA or higher).

Accessories:
Leaflet "Read Me First"
USB Type-C to USB Type-A cable

Size & weight

Width: 188 mm / 7-7/16 inches
Depth: 106 mm / 4-3/16 inches
Height: 36.2 mm / 1-7/16 inches
Weight (including batteries): 305 g/11 oz

Notes: Roland SP samplers are the bona fide kings of performance-based beatmaking, celebrated for their distinctive sound and ability to create rapid-fire beats anywhere, anytime. Carefully refined through community feedback and extensive research and development, the SP-404MKII is the ultimate SP sampler. It's faster and better than ever, with a vivid OLED display, expressive new pads, expanded effects, fluid sequencing and sampling, and a massive library of authentic sounds to inspire your music.

The SP-404MKII has everything people love about its predecessor-with some serious upgrades like 17 ultra-expressive pads and updated knobs for smooth, hands-on control. And beatmaking is even quicker with speedy boot time, swift project loading and sample import, and easy project access via 16 GB of internal storage. Longtime users and new beatmakers alike will feel right at home with the intuitive layout and classic SP effects, plus a revamped sampling and sequencing workflow, Skip Back Sampling for quick performance capture, DJ mode to mix beats live, and more.

People who make music with SP samplers love the rapid workflow, portability, and tactile approach they offer. The SP-404MKII takes this experience even further, retaining the lightweight-yet-rugged design while adding features that make it even easier to create in any scenario. Bang out beats anywhere with AA or mobile battery power, capture audio from or stream direct to your mobile device via USB, or collaborate with a partner using the dual headphones outputs and mic/guitar input.

With the SP404MKII's vivid OLED screen and zoomable waveform view, sample editing is smooth like butter. Chop up samples by tapping out edit points in real time, or use auto chop to slice samples automatically. Then finesse them with envelope and pitch shift, and use the new resampling workflow to re-record patterns and effects layers for detailed sound design. And with Skip Back Sampling, you can instantly grab those golden moments by capturing up to 25 seconds of audio from your last performance.

Process, flip, and twist your sounds with legendary SP effects and a selection of new classics. SP staples like Vinyl Simulator and DJFX Looper are now joined with powerful additions that include Lo-fi, Cassette Simulator, and Resonator. Layer and route multiple simultaneous bus effects for intricate sound textures, or plug into the mic/guitar input and jam with ready-to-go Vocoder, Auto Pitch, and Guitar Amp Simulator effects.

The SP-404MKII gives you the flexibility to create patterns with unique feel and energy. There's adjustable input quantize and shuffle for custom swing, Pad Link for firing off multiple samples with a single tap, a Roll button for variable note repeat, and BPM-per-bank for instant tempo changes. It's also possible to organize patterns for different sets and chain them together to automate playback. With your hands freed up, you can stretch out on the SP effects controls or let rip on your favourite synth.

Dive into beatmaking with the pre-loaded sounds in the SP-404MKII's blazing-fast 16 GB of internal memory. There's a huge collection of curated samples to choose from and plenty of room to augment them with your private sound stash. And you can now load even more sounds at once, with 160 samples across each project for expanded performance and beatmaking combinations.

You work hard to be a unique artist-so why play on cookie-cutter gear that looks like everyone else's? Personalize your SP-404MKII with your own style or branding for a look that's as distinctive as your sound. Grab the faceplate template to create custom overlays, style your startup screen with personalized logos, or select a screensaver that matches your vibe.

Download the SP-404MKII App from Roland Cloud Manager to go even deeper with your Mac or Windows computer. Access more detailed waveform editing, assign samples to pads, and import MIDI files and legacy SP-404SX and SP-404A projects for remixing and updating. And while you're there, check out our exclusive Beatmaker Sample Pack series for more sonic material from legendary sound designers and musicians to inspire your next production.

Specifications:

Maximum Polyphony: 32 voices
Recordable Data: Samples = 2,560 (16 samples x 10 banks x 16 projects, stored in internal storage)
Patterns = 2,560 (16 patterns x 10 banks x 16 projects, stored in internal storage)
Internal storage: Size: 16 GB including preload data
Maximum sampling time: 16 minutes (approximately 176 MB per sample)
Skip Back Sampling: 25 seconds (capturing the last moments of performance)
Data format: 16-bit linear WAV, AIFF, MP3 import supported
SP-404MK2APP supports WAV, AIFF, MP3, FLAC, M4A.
Sampling frequency: 48kHz

External dimensions:

177.5 (W) x 275.8 (D) x 70.5 (H) mm7 (W) x 10-7/8 (D) x 2-13/16 (H) inches
Weight (excluding AC adaptor): 1.1 kg/2 lbs 7 oz

Notes: Keyboard meets sequencing in Arturia's all-round controller. USB, MIDI, CV and analogue clock compatibility make this 64-step polyphonic sequencer a true all-rounder. Great value.

Supplier's Notes:
KeyStep 37 goes beyond an easy-to-use 64-step sequencer, arpeggiator and MIDI keyboard. It's responsive, dynamic, expanded in every direction to encourage musical exploration - the controller that's built to help write music and also includes Ableton Live Lite, making it a complete music production starter kit, as well as appealing to veteran musicians. Like KeyStep and KeyStep Pro before it, KeyStep 37 offers unique features not found in any other product.

The familiar KeyStep formula, expanded. KeyStep 37 features a velocity-sensitive 37-note keybed, complete with aftertouch and RGB LED feedback, while remaining lightweight and compact.

At the center of the control panel, you'll find 4 new knobs with an LED screen, giving you instant access to inspiring new expressive tools and MIDI tweaking - total creative control.

The new controls unlock KeyStep 37's unique & enhanced Chord mode. Choose from 12 chord types, an array of strum effects, and spread the voices out into complex velocity-sensitive parts that respond like a stringed instrument.

Map out KeyStep 37's 3-octave keyboard range with a scale of your choice using Scale mode. Any key you play will automatically quantize to the nearest note in the chosen scale.

Tap into the inner workings of your MIDI hardware and software with assignable 16 MIDI CC pa-rameters across 4 switchable banks. Use the 4 new controls to tweak settings on the fly for dy-namic performances.

The core of your setup:

KeyStep 37 is designed to be put in control. An accessible interface, a compact design and com-prehensive connectivity make it the perfect centerpiece for your rig - whatever your needs.

Hook up your synth hardware with MIDI in/out. Control your favorite VST instruments with MIDI over USB. Use CV pitch, gate and mod connections for modular integration. Analog sync in/out keeps everything in time without hassle. The best bit? Use it all at the same time.

Included is a free copy of Ableton Live Lite, an accessible music-making suite for your Mac or PC. Register KeyStep 37 for your free download and get creative right out the box - let the music flow freely.

Notes: The SC15 is a high-quality Lightning Accessory Cable (USB-C to Lightning) designed to connect MFi-certified USB-C microphones to iOS devices. Measuring 300mm long, it is particularly suitable for connecting the VideoMic NTG to Apple mobile devices with a Lightning port and features a junction box for cable management. Note: This cable will not charge or sync your iOS device.

Key Features:

High-quality Lightning Accessory Cable (USB-C to Lightning)
300mm (11.8") long
Junction box for cable management

Specifications

Acoustic & Electrical Specifications

Output Connection

Lightning Connector

Inputs

USB Type-C

Compatible RODE Products

VideoMic NTG
Wireless GO II
VideoMic GO II

Mechanical Specifications

Colour: Black
Weight (g): 5
Cable Length (millimetres): 300

Box Contains
1 x SC15

Notes: Part of Sonicware's Liven groovebox series, this time focussing on granular synthesis and effects processing. 128-step sequencer and shimmer reverb allow you to create grooves.

Supplier's Notes:
Sample, slice, transform and reconstruct audio to synthesize completely new sounds

The LIVEN Texture Lab offers a wide variety of sound textures ranging from beautifully lush ambient pads to chaotically aggressive experimental noise that will take you to new sonic frontiers.

The Texture Lab uses a granular processor that slices sounds into grains ranging from 2 ms to 1 second in length, then transforms and reconstructs them in a variety of ways, including manipulating grain shape, density, time warp, spatial position, and playback method to create entirely new sounds.

Granular synthesis parameters are easily accessed from 10 knobs and are designed for intuitive control

Granular synthesizer with granular effects processor mode

The LIVEN Texture Lab is a 4-voice polyphonic synthesizer that can record 32 samples of up to 6 seconds, generate grains from any part of a sample, and synthesize them using two modulations sources, an envelope generator, and process the sound through different filter types.

The Texture Lab can also be used as an effects processor for real-time granular processing of stereo signals from the line input. It is also possible to freeze the flowing sounds for 6 seconds to add granulated sound effects.

Shimmer reverb for fantastical and majestic sounding spaces

The LIVEN Texture Lab features six high-quality stereo reverb types. All reverb types have a shimmer parameter that allows you to layer reverb on top of reverb in octaves to create fantastical and majestic sounding spaces.

128-step sequencer with parameter locking

The LIVEN Texture Lab is equipped with a high-performance 128-step sequencer that has earned the LIVEN series a solid reputation. In addition to recording notes, it can also record changes in granular processing parameters over time.

You can record knob operations in real time or directly record parameters to specific steps allowing for more complex sound textures.

Specifications

[Granular processor]

Synthesizer mode
- Sampling up to 6 seconds per sample (16bit - 32kHz mono, Start/end point adjustment)
- Auto start sampling function with the input level (input level can be set)
- Internal resampling function
- 32 sample memory slots

Effects processor mode
- Real-time processing of stereo signals from the line inputs
- Freeze function


- Pitch: Pitch of the sample (i2 octaves)
- Position, Length/FB: The sample range for generating grains (with random position function)
- Speed, Direction: Playback speed, scan direction, and playback direction of the grains.
- Size, Shape: Size and shape of the grains (with random function)
- Timing, Jitter: Interval of generating grains (with our original LUSH setting)
- Density: Number of the grains (up to 64 grains in legato mode)
- Diffusion: Diffusion width of the grains
- Blend: Balance between the sample and the granular sound mix
- Modulation 1: LFO assignable to various parameters (with wave shape selection, start fade-in time, retrigger, and tempo sync)
- Modulation 2: LFO assignable to various parameters (with wave shape selection, retrigger, and tempo sync)


- Attack
- Release


- Low Pass
- High Pass
- Band Pass

Reverb effects
6 high-quality reverbs with Shimmer reverb parameters
- Hall
- Room
- Arena
- Plate
- Tunnel
- Infinity


- 4-note polyphonic mode (Up to 16 grains per voice, internal sequencer records up to 3 voices of polyphony)
- Mono mode (Up to 32 grains, adjustable glide time)
- Legato mode (Up to 64 grains, adjustable glide time)
- Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-2, Random, Play Order)

[Sequencer]
- 1 track
- Up to 128 steps per pattern
- 128 patterns
- Step length can be set from 1/1 to 1/32
- Real-time recording
- Directly enter notes for each step when sequencer is on or off
- Enter longer notes (Tied notes)
- Metronome and pre-count function
- Undo/Redo function
- Transpose function
- Swing function
- Pattern BPM / Global BPM can be set
- Pattern chain function
- Parameter Lock function to record parameter settings for each step
- RANDOM function to play back steps in random order
- STUTTER function to play back only the step being pressed

[MIDI]
- Notes, control changes, clock input/output
- IMPORT/EXPORT of user data (Including samples) via Sysex
- Firmware update via Sysex

[Unit]

27 keys (with a hold function)


- 15 physical control knobs
- Optional LATCH function prevents jumps in value when knob position and parameter values do not match.
- One physical encoder for fine adjustments.
- LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.

Notes: 'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Each output can provide everything from simple clocked triggers, complex rhythmic waveforms, quantised melodic patterns to random chaos with direct and assignable CV control over numerous parameters. These features together with a quick and easy to use interface provide almost limitless synced modulation possibilities in a tiny space.

Building on the original 'Pamela's Workout' & 'Pamela's NEW Workout' the evolved 'PRO' Pam maintains the precursor's form factor and intuitive workflow but improves and adds many new features with upgraded hardware, more CV inputs, a new full colour hi res display and rewritten software adding many new enhancements like micro grid timings and cross output modulations.

Through optional expander modules more CV input and outputs can be added with support for external non euro equipment through Midi and Din Sync outputs. Please enjoy your next generation PRO workout!

Size: 8HP
Power: +12v 60ma / -12v 10ma
Depth: 32mm (approx with power header)
Outputs: 0-5v buffered low impedance. 12 bit res. 3.8khz max update freq.
Inputs: CV 0v-5v / Clock, Run - rising edge 700mV min.

Notes: Knurlies are the first screws specially designed for Eurorack - engineered with love by Befaco to make re-arranging your case a matter of minutes!

Knurlies can be fastened by hand, phillips, slot or allen, and include plastic washers to avoid rack-rash.

These screws are M3x7mm, so they can also be used on 3mm thick panels as well as regular 2mm ones.

Notes: Endless Processor is a dual-channel infinite sound sustainer machine.

Put your favourite instruments, unique timbres, or field recordings - virtually any sound - and make it last forever.

It is not a looper in the usual sense - Endless Processor resynthesizes your sounds to create a perfect clickless stream while preserving the timbral and tonal character of the original.

Endless Processor always listens to audio input and keeps a most recent history. Experiment with sustaining little bits of a sample or make a massive wall of sound with the ability to select how much memorized audio to process.

Stack your sounds to create harmonies, textures, or drones with 5 layers per channel. Each layer can be re-processed or cleared while keeping other ones in place. Set fade-in and fade-out time to quickly or gradually introduce a new layer or remove the existing one.

Additional controls will help you to adjust or shape a channel volume (think built-in VCA).

Dimensions
16 HP
25 mm deep

Current Draw
125 mA +12V
10 mA -12V

Notes: Little box, big reverb. Specially designed for huge, cavernous echo effects and ideal for infinite tails and frozen sounds, the Blackhole is an exceptionally high quality pedal at a very reasonable price.

Supplier's Notes:
Create haunting echoes, ethereal landscapes and otherworldly ambience with Blackhole, a reverb pedal as big and as mysterious as the cosmos. Blackhole takes you there - beyond the ambience of mere earthly Halls, Rooms, Plates or Springs. Blackhole will take you on a journey from cathedral-type spaces to a universe of out-of-this-world soundscapes.

It includes onboard tone controls, modulation, and infinite reverb settings with mono or stereo operation, MIDI control, preset storing, and most importantly a new compact, easy-to-use interface.

Blackhole features two types of infinite reverb. Infinity mode continuously layers new sound on top of a suspended reverb. Freeze mode holds the effect allowing you to play over the reverb tail. The Freeze Footswitch allows instant access to this feature.

Unlike other reverbs which may offer pre or post modulation, Blackhole features modulation built into the reverb structure itself. It's essentially a big multi-voice chorus, with unique tone-shaping ability. You can utilize extreme settings to smooth out the edges.

Like all Eventide pedals, Blackhole allows you to fine tune every aspect of the effect. With a new, user-friendly, intuitive interface, just about anyone can shoot for the moon and land beyond the stars.

Input: 1/4" TRS / Mono = Tip, Stereo = Tip & Ring
Out 1: 1/4" TS Mono / Mono Output
Out 2: 1/4" TS Mono / Stereo Output
EXP: 1/4" TRS / Expression pedal, Aux Switch or MIDI I/O
Mono/Stereo Switch: Sets Input to Mono (Tip) or Stereo (Tip + Ring)
Guitar/Line Level Switch: Optimizes internal gain structure
Mini USB Software updates, MIDI I/O
DC Input Jack: 5.5mm / 2.1mm plug / Center Negative (-)

Input Impedance: 700k ohms Mono, 990k ohms Stereo
Max Input, Guitar: +8dBu
Max Input, Line: +14dBu
Output Impedance: 220 ohms
Recommended Load Impedance: 10k ohms

Power: 9V DC @ 200mA / Center Negative (-)
Dimensions (product): 4" W x 4.25" D x 1.68" H / 102 mm x 108 mm x 43 mm
Weight (product): 1.06 lb / 0.48 kg
Dimensions (package): 7.7" W x 4.75" D x 2.8" H / 178 mm x 121 mm x 71 mm
Weight (package): 1.68 lb / .77 kg

Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility

Notes: Module A-124 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant" with Chris Huggett und Adrian Wagner). This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

Inputs: Audio In, CV In (2x)
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio and CV attenuator, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the module SEM VCF A-106-5. But the sound of both filters is very different! The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer).

- 3U Eurorack module, 8HP wide, 45mm deep
- Current draw 30mA

Notes: The lovable oddball of the Arturia range, this brilliant hybrid synth combines versatile wavetable and digital oscillators with analogue filters. Touch keyboard gives uniquely expressive control.

*** New firmware update (26th October 2021) *** Arturia are happy to announce another major new firmware update for MicroFreak, bringing massive new creative functionality for users free of charge.

Firmware V4.0 elevates this hybrid desktop synthesizer's status as a sound design powerhouse even further:
New WaveUser sound engine
Allows for user wavetables(!!)
64-new presets
Sequencer Unison & Chord Voices
Faster Oscillator Encoder Response
....and more!

This update, plus ALL the of previous updates (see Vocoder & Noise Engineering oscillators etc.) cement the MicroFreak as one of the most interesting, powerful and flexible synthesizers on the market, whilst maintaining excellent value for money.

Supplier's Notes:

A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.

Notes: Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

New Features:
New creative features: Scale Mode, Chord Mode, and Arpeggiator, making composition, songwriting, and beat-making more intuitive than ever.
Custom DAW integration: KeyLab Essential 3 features custom scripts for deeper control over DAWs, including Ableton Live Logic Pro X, FL Studio, and more.
More versatile presets: The 2000 presets included with Analog Lab V are no longer limited to vintage sounds; users can enjoy unique hybrids, modern synths, orchestral sounds, and more.
Easier controls & interface: RGB-backlit pads with velocity and pressure sensitivity, contextual button, and a bright new 2.5" LCD screen for real-time feedback.
Expanded software package for beginners & pros: Now includes Analog Lab V, 2 pianos (UVI Model D, NI's The Gentleman), plus subscriptions to Loopcloud and Melodics.

Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility

Notes: uO_C

This is a new build of Micro Ornament & Crime, a variant of the popular Ornament & Crime designed by mxmxmx. The firmware is Stock by default.

The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module. Eurorack power cable included.

Notes: A high quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable comes with low loss conductors and global shielding ensure a clean data stream. It is terminated at each end with a 180- 5-pin DIN plug.

Notes: A High quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable with low loss conductors and global shielding ensure a clean data stream. Terminated at each end with a 180 degree 5 pin DIN plug.

Notes: Modern classics. Open-backed design means they leak some sound but give a really clear impression of your music. Solid option for production work and mixing.

Supplier notes:
The DT 990 PRO is an open dynamic headphone for studio applications. Due to a weight reduction of the diaphragm an excellent sound reproduction quality is achieved. Its rugged design with a spring steel headband ensures a secure fit and withstands all demands. Soft headband and ear cushioning systems ensure a high comfort over long periods of time.

Beyerdynamic's DT PRO headphone series has it's roots in the early 1980s. Since then, millions of audio professionals from all parts of the world have become loyal users of beyerdynamic products. The series has been designed to cater for listening in a wide variety of environments, thanks to different headphone construction.

Notes: High quality audio leads for exceptional sound quality and reliability. High grade twin cable comprises an insulated pure copper core and global shielding. The durable PVC sheath has a soft texture to avoid knotting. Terminated at one end with a pair of RCA phono plugs and at the other end with 2 x 6.3mm mono jack plugs.

Notes: Black 2m heavy duty 4 core screened 5-pin MIDI plug to 5-pin MIDI plug.

Notes: The perfect companion to MicroFreak's Vocoder engine. This specially designed microphone attachment lets you add your vocals to MicroFreak's unique mix of digital and analog.

Transform your toplines, harmonies, and spoken word into inspiring modulated textures.

With its gooseneck design, this electret microphone is built with ergonomics and ease of use in mind. Adjust its height and angle to suit your setup, and connect it directly to MicroFreak's head-phone connector. Thanks to an additional socket on the microphone's base, you can still connect your headphones for monitoring.

In terms of sound, the microphone is designed to work perfectly with the MicroFreak Vocoder engine's 16-band frequency range, ensuring accurate detection of the complex harmonics of the human voice. MicroFreak will detect when the mic is connected and automatically set the gain, but this can be easily adjusted in the utility menu.

Jump from subtle synthesized harmonies to robot vocals in no time with the MicroFreak Vocoder Microphone!

Notes: 10-conductor ribbon cable with three 10-pin connectors and a 16-pin connector on one end (20" total length), for connecting more than 2 modules in a Pod.

Notes: Right angle 2.1mm barrel plug (5.5mm outer diameter, positive tip). Short barrel to barrel cable for daisy-chaining Row Powers and/or Pods. Cable is 11" long (centre of tip to centre of tip), suitable for two Pods next to each other or in front/behind each other. Also compatible with Row Power modules.

Both ends of the cable have a right-angle plug.

Notes: This module has 1/8" jacks to accept either mono or stereo audio signals from your modular gear.

It features input level indicator LEDs, and contains all the gain control circuitry necessary to drive external audio gear at the proper levels.

A ribbon cable is included for connecting it to either the Stereo Out Jacks 1U module, or a compatible Intellijel case with 1/4" jacks (e.g. 7U x 104HP, 7U x 84HP, or Palette 62).

Notes: White version of Kali's excellent LP-6 V2 model, a classic two-way nearfield design with Class D amplification, digital signal processing and impressive bass response thanks to their 6.5-inch woofer.

Supplier's Notes:
Performance

Transparency. Clarity. Accuracy.

Kali Audio's Lone Pine Series studio monitors are designed to allow you to hear every detail that's happening in your mix.

This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you'll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.

With the LP-6 and LP-8, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.

The 2nd Wave goes even further, utilizing a more robust DSP for an even flatter frequency response on the top end.

LP-6:
80W Class D Power
39 Hz Lower Frequency Response
< 3% System THD 94 dB @ 1M
115 dB Max SPL

Accuracy

The LPs have always been praised for their accuracy, and we're pleased to share that the 2nd Wave versions realize slight but noticeable improvements in that regard, particularly on the top end.

Power

Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom.

This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion. The LP-6 has enough output for most 1-2 person setups, and the LP-8 can handle larger setups easily. Full output specifications, along with maximum listening distances, can be found in the user's manual.

Bass on the LP-Series monitors is delivered by larger magnets and larger voice coils than any comparable speakers on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need. Bass response is not boosted or overhyped, but you can be sure that you're hearing the bass that you have on the track.

Protective limiters prevent harmful voltage from ever reaching the drivers, so there is no risk of blowing these speakers. These have been updated for the 2nd Wave, allowing for 3 dB higher output.

Both models use 40W for the 1" soft dome tweeter. The LP-6 uses 40W for the 6.5-Inch woofer, and the LP-8 uses 60W for the 8-Inch woofer.

Ease of use

Boundary EQ Control

A speaker's given position in a space can drastically change it's frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.

Happily, most of the common positions are fairly predictable and easily corrected.

Kali's team did our Boundary EQ tuning at The Village Studios in Los Angeles, and came up with boundary compensation EQ settings to help you get the optimum sound for where you need to put your speakers. For the 2nd Wave, the boundary EQs have been updated for using the speakers on a desk with monitor stands.
Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you're mixing in, or where the speakers are placed.

Easy Connections

The LP-6 and LP-8 both feature balanced XLR and TRS inputs, and an unbalanced RCA input.

The RCA input can be set to -10 dBu sensitivity when you're using consumer devices like a laptop or smartphone's headphone jack.

Technology

3-D Imaging Waveguide

The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What's more: it's calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.

In practical terms, what this means is that you're hearing spatial details in the recording that allow your brain to place elements of the recording in the space around you. This gives the speakers a more natural, lifelike feel that exposes more of the detail of the material that you're working on. This level of detail makes it easier to make critical decisions, as well as making these monitors pleasurable to mix on and listen to in general.

Low Noise Port Tube

A port has been added to the front of the LP-Series studio monitors, so that they could be used in small spaces where they'd be placed against walls. To prevent noise from the front port that distracts from the accuracy of the speaker, this special front port that doesn't make noise has been developed.

Notes: The J-6 Chord Synthesizer is an endless well of musical inspiration, pairing a powerful chord sequencer with the lavish tones of the renowned JUNO-60 synth. Generate soul-stirring song ideas in seconds, and experiment with styles and variations to coax dancing lines and rhythmic patterns from your chords. Add lush effects to frost your sound, and expand your possibilities by interfacing with other AIRA Compacts, MIDI hardware, and music production software.

Chord heaven

With 100 chord sets spanning a wide range of genres, you'll always find fresh fuel for songs and jams with the J-6. There's no need to know chords or theory to make cool musicisimply call up a set and compose chord progressions on the fly with one-touch presses on the keyboard. Generate ideas for new tunes, create accompaniment for live performances, or send chord information to other MIDI gear.

Move and groove

Loaded with comprehensive I/O, the T-8 is ready to be the rhythmic centerpiece of any electronic music setup. Connect and sync with other AIRA Compacts like the J-6 Chord Synthesizer and E-4 Voice Tweaker. Or interface with computer DAWS, mobile music apps, and hardware instruments via USB-C or MIDI.

Craft your next hit

Once you've got a chord progression in mind, bring it together with the J-6 chord sequencer. There are 64 patterns with up to 64 steps each, and you can quickly enter chords, style variations, single notes, and tempo changes in each step to mold your masterpieces.

Tweak and tweeze

After you've captured a pattern on the J-6, hit play and inject even more color with tactile controls. Select different synth presets, tweak the filter and envelope in real time, and complete the picture with customizable reverb and delay effects.

Historic Juno sound

The J-6 puts the influential synth sound behind decades of hits in your pocket or backpack. Our acclaimed Analog Circuit Behavior (ACB) technology realizes the famous JUNO-60 voice in flawless detail, complete with 64 presets derived from the original. Use the J-6 engine with the chord sequencer, play it from the onboard keyboard or an external MIDI controller, or use it as a sound module in an expanded setup.

Expand your vision

The J-6 has the connectivity you need to integrate with other AIRA Compacts and larger music rigs. Back your chord creations with drums and bass from the T-8 Beat Machine, and add evocative vocal textures with the E-4 Voice Tweaker. Or interface with computer DAWS, mobile music apps, and hardware instruments via USB-C or MIDI.

Everywhere at once

Compact and convenient, the J-6 is ready to deliver instant inspiration everywhere you go. The lithium-ion battery provides up to 4.5 hours of runtime per charge, while the rugged Roland build ensures years of musical pleasure.

Specifications

User Patterns: 64
Sequencer: Maximum measures: 64
Instruments: Preset Patches: 64
Effects: DELAY, REVERB
Display: 7 segments, 4 characters (LED)
Connectors: SYNC (IN, OUT) jacks: Miniature phone type, MIX (IN, OUT) /PHONES jacks: Stereo miniature phone type, MIDI (IN, OUT) jacks: Stereo miniature phone type
USB port: USB Type-Cr (Audio, MIDI)
Power Supply: Rechargeable lithium-ion battery, Obtained via USB port (USB bus power)
Current Draw: 500 mA
Expected battery life under continuous use: Approx. 4.5 hours -* These figures will vary depending on the actual conditions of use.
Expected battery charging time: Approx. 3 hours - * To charge the unit, use the USB port of a computer or a commercially available USB power supply adaptor (5 V, 500 mA or higher).
Accessories: Leaflet "Read Me First", USB Type-C to USB Type-A cable

Size & weight

Width: 188 mm / 7-7/16 inches
Depth: 106 mm / 4-3/16 inches
Height: 36.2 mm / 1-7/16 inches
Weight (including batteries): 295 g / 11 oz

Notes: Collabing with YouTube sensation Andrew Huang, Endorphin.es offer up this impressive multipurpose processor module. Building blocks of stereo filtering, compression, reverb and more offer huge creative potential.

Supplier's Notes:
In collaboration with Andrew Huang, based on his modern music production techniques, Endorphin.es developed a creative audio processor with multiple blocks that can be moved around in order to achieve different flavours for sound design.

Processing unit without fixed structure: intuitively create astonishing and ephemeral timbres, from atmospheric rumbles to heavy or distorted textures.
Creative stereo effect processor with delay, reverb, filter and distortion with quickly explorable routing chain with single button press.
New generation ARM Cortex - M7 processor with 96 kHz 32 bit internal processing.
Lush hall and whooshing reverse reverbs with audio freeze and pre-delay.
Sidechain audio ducking envelope available both internally and externally with additional one knob single band compressor.
Tap delay with maximum delay time up to 2.5 seconds, external clock input with onboard clock divider and 1v/oct time control.
8x oversampled distortion algorithm.
Pre- and post - VCA, tone and volume controls with extra gain.

Power consumption:
135 mA +12V
35 mA -12V
0 mA 5V

Dimensions:
16 HP
26 mm deep with power ribbon cable connected.

Notes: A versatile alternative to conventional rack-mounted patch bays, the Minibay 1/4-inch connections round the back, which can be patched on the front panel via 1/8-inch cables. Compact and effective.

Supplier's Notes:
MINIBAY is a compact 40-point audio patch bay, designed to integrate neatly into a studio desktop space. It utilises 1/4" stereo sockets to connect with external gear and 1/8" mono (Eurorack) sockets for routing signals. There are also two built-in passive mixers with dedicated patch-points located on the main panel.

Intuitive

While the ins and outs can be configured to suit your needs, the general idea is to have instruments on Row A, mixer channels on Row B, and effects hooked into the FX rows.

Reach up to the effects; reach down to the mixer.

Convenient

MINIBAY can be neatly positioned next to a mixer (or just about anywhere) for quick and easy access and reference while working.

Patch-points are spaced to allow for comfortable grip and leverage when handling cables (even for fat fingers :)

Connecting to Gear

Insert Cables

In most cases, connections to instruments, effects and the mixer are made with standard insert cables (1xTRS to 2xTS).

This system allows two mono connections for each 1/4" socket on the back panel, and is how MINIBAY is able to pack so much for its size.

TRS Cables

TRS cables can be used to make stereo or balanced connections. When this is done, each channel or polarity is patched separately on the front panel.

Rows A and B

For Rows A and B, each 1/4" socket on the back panel is wired to two adjacent 1/8" sockets on the main panel.

FX Rows

Each 1/4" FX socket on the back panel is wired to the two corresponding 1/8" FX sockets on the main panel. One insert cable can therefore be used to connect to the input and output on an effects unit (or two cables for a stereo unit).

Normalling

Connections between patch points on Rows A and B can be individually normalled using the dip switches located on the interior of the main patch panel. Simply take out the screws on MINIBAY's steel enclosure to open it up and access these.

A normalled connection is one where the signal flows without the need for patch cables. In a fully normalled connection (as used in MINIBAY), the connection is broken if a cable is inserted at any point in the signal flow.

Notes: The versatile Erica Synths Perkons HD-01 is a sight to behold and hear with its highly crafted sound engine and features. It's a hybrid of a drum machine and synthesizer with a powerful set of four sonically versatile hybrid voices. The plethora of 80 buttons and over 40 knobs are all there to create a unique sound texture.

With their complex nature and banks of switches, knobs, screens and pads, the risk of harm is closer than you think. This is where Decksaver steps in.

Working with this wonderful unit, Decksaver have measured, designed and custom-moulded right here in the UK, a super-tough polycarbonate cover to perfectly fit the contours of this exciting Erica device.

With years of experience working with plastics, Decksaver have created the perfect cover to protect your machine against dust, debris, liquids, smoke and accidental impacts.

Utilising our Soft-fit inserts, you can be sure of a great fit to your device.

Decksaver's super-durable polycarbonate shells feature extreme durability and offer the highest degree of protection.

Dressing your unit in a Decksaver cover should mean you will never have to worry about your Perkons getting damaged at home, in the studio, or at the gig.

Dimensions

Weight: 0.702 kg
Length: 46.9 cm
Width: 32.6 cm

Material: Smoked clear polycarbonate.

Notes: An affordable taste of the legendary Solid State Logic sound, an iconic name in high-end recording consoles. The SSL 12 offers four analogue inputs and four analogue outputs plus eight-channel ADAT digital expansion and two stereo headphone outs which can also be used as line outs.

Supplier notes:
Class-leading performance, in the studio and on the road

The Solid State Logic SSL 12 is the perfect audio interface for producers and engineers who demand uncompromising performance and versatility from a desktop device. SSL 12 is capable of being both a studio centrepiece and a portable production hub to take with you on the road. Four SSL-designed mic pre-amps with uncompromising low-noise and high gain performance, Legacy 4K analogue enhancement for adding that signature SSL colour, class-leading dynamic range from premium-quality converters, comprehensive monitoring section, ADAT expandability, talkback mic, flexible headphone outputs and an intuitive console-style software mixer. SSL 12 just set a new bar for what you can expect from a unit that is entirely USB-powered.

Big studio features, small desktop footprint

SSL 12 is loaded with an extraordinary amount of professional studio features normally reserved for high-end rackmount interfaces. For tracking, the ADAT connectivity, together with the on-board talkback mic and an incredibly powerful cue mixer (that allows you to create up to 4 independent near-zero latency performer mixes) will handle the most demanding of recording sessions. For mixing, alternative monitor switching and assignable front panel control room functions puts everything you need at your fingertips. For production, USB Loopback, MIDI I/O and DC-coupled outputs for CV control of synths and FX equip you with a serious toolkit to keep the creativity flowing. To top it all off, the ever-expanding SSL Production Pack (packed with a selection of must-have virtual instruments, plug-ins, samples and DAWs) helps to bring your productions to life.

SSL Studio Quality and Know-How

For over 50 years, SSL have been designing cutting-edge mixing consoles and hardware processors, as used by the world's most recognised artists and recording studios. Over that time, their reputation as a world-leading manufacturer of professional audio equipment has centred around a constant pursuit of audio excellence and technical innovation, accomplished through streamlining production workflows and advanced studio ergonomics. SSL 12 takes the 'traditional' desktop audio interface where it's never been before with an incredible array of features in a compact footprint that delivers outstanding audio quality. Featuring the familiar Alps pots, Neutrik connectors and an attractive brushed aluminium front panel, SSL 12 is built to last whether you're using it in the studio or on location.

Real Analogue Enhancement Inspired By The SSL 4000-Series (4K) Console

SSL has a history of innovation in analogue electronics and console design. Whether it be the sound of the classic '242' and '292' EQ circuits, the punch of the legendary SSL Bus Compressor or the incredible bandwidth and sonic accuracy of the ground-breaking SuperAnalogue designed mic amps and consoles, SSL are always moving forward with analogue. Legacy 4K is an all-analogue enhancement effect, inspired by the character of an SSL 4000-series console (often referred to as '4K'). It distils two essential characteristics of the 4K sound into a single circuit. The first thing engaging the Legacy 4K circuit will do is to introduce a forward, yet musical sounding high frequency EQ boost, helping to add some excitement to your vocal or instrument. Secondly, it'll add some subtle analogue distortion with finely tuned harmonic content, helping bolster any sound with more edge and personality.

Notes: Classic closed-back headphones in a low-impedance version designed to play nicely with outputs on phones, laptops and interfaces. One of the best all-round options for production.

Supplier's notes:
The Beyerdynamic DT 770 Headphones 80 Ohm are closed back dynamic headphones that use the same comfortable, sound isolating design as the 250 Ohm studio version, but with a lower resistance for general purpose and mobile applications. Because of the lower resistance, the DT 770 Pro 80 Ohm headphones are louder and work on low power devices such as smart phones, MP3 player, laptops and bus powered interfaces. Therefore, if you are working in a loud environment or using a battery operated device, the Beyerdynamic DT 770Pro 80 Ohm headphones make the perfect choice of headphone.

When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.

Notes: Catching sound waves has never been more fun! This microphone is perfect for your recording needs!

This mic is super portable and has onboard gain settings that help capture sounds of many volumes. The active preamp inside the mic saves the need for an external preamp, a huge plus if your are recording on the go!

Use a monophonic 1/4" cable to connect the mic to a mixer, recorder, amplifier, stompbox, video synthesizer, etc... For stereo recordings, use two microphones pointed 90O across each other for an XY Stereo field.

Hold this lightweight microphone in hand, or connect it to a microphone stand. A stand attachment is included so it can be nestled into a studio or stage situation.

On top of the inherent utility, the mic is available in rich colours!

Design/Specs

Physical characteristics:

Size: 5.1 x 1.1 x 1" / 13 x 2.6 x 2.5 cm. Length includes jack.
Height includes knob.
Stand attachment adds 3" / 7.62 cm.
Weight: 1.69oz / 48g.
Weight includes battery.
Stand attachment adds 1oz / 28g.
Enclosure made from PLA.

Input/Output:

Input: Omnidirectional Analog Electret Condenser Microphone
Output: 14" Monophonic Jack
Connection is TS (tip/sleeve) for an unbalanced signal.

Included Items:

1x 2032 Coin Cell Battery
1x Articulating Mic Stand Connector with 3/8"-16 threading

Resources:
Manual (for additional troubleshooting and support, visit the forum)
More videos on YouTube
Critter & Guitari Forum

Notes: The new Headphone-Case II can hold any common foldable and non-foldable DJ or studio headphones and now features a mesh pocket for USB flash drives.

Fits:

Sennheiser HD-25, Sennheiser HD-8, Sennheiser HD-7, V-Moda Crossfade, Pioneer HDJ-700R, Pioneer HDJ-1500K, Pioneer HD-2000, Ortofon O2, AIAIAI TMA-2, AIAIAI Studio, Technics HP-1200 /1210, Technics RP DH 1200, Shure SRH 40 /20, Beats by Dr. Dre Mixr, Beats by Dr. Dre Studio, Nocs NS900, Reloop RHP 30, Reloop RHP 20, Reloop RP-15, Ultrasone DJ-1 Pro, etc.

Basics:

Lightweight Durashock molded EVA foam and polyester exterior shell
Zip-compartment for USB flash drives
Including carrying handle and adjustable + detachable shoulder strap

Specifications:

Outer dimensions: 18 x 20 x 9 cm
Inner dimensions: 17 x 19 x 8 cm
Weight: 0,3 kg
Colour: black/black

Notes: The new Y-type insert cable is designed to be used with the Billy Sheehan Signature Drive loops. It features a 1/4" stereo connector at one end that splits into two 1/4" mono connectors at the other end representing TIP and RING on the stereo connector. The cable can of course be used with other products that call for an insert cable too.

Notes: High quality stereo or balanced signal leads with an angle TRS 6.3mm jack plug at one end and a straight TRS 6.3mm jack plug at the other.

Notes: The Chord cable lead is the high quality audio lead for exceptional sound quality and reliability. The high grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Each end is terminated with a pro-quality 6.3mm stereo (TRS) jack plug.

Notes: Mutes goes above and beyond basic muting by allowing you to split groups of signals to multiple destinations, making it great for FX dub performing and varied signal routing.

You also get a three position switch giving you: MOMENTARY signal pass through (it springs back to the centre when released); OFF (or muted) in the centre; and ON to the right. We've also added vactrols to the circuit giving the switching a pleasing decay for both audio and modulation as well a totally click free muting. This module can add mutes to anything, your mixer, module inputs or outputs, modulation signals, sequencers, gate sources and more.

Mutes was developed by Befaco on behalf of DivKid.

50 mA +12V
32 mm deep
O 4.29 (14 Votes) Average Rating

Notes: 50 of Befaco's unique screws designed specifically for Eurorack. These M2.5 screws can be secured by hand, all common screwdrivers and Allen Key. These are great for saving time when rearranging your synth.

Each Knurlie comes with a fitted plastic washer to prevent rack rash.

Notes: Perfect for use with Ableton Live and Traktor, the Killamix-Mini is a compact USB controller housed in a sturdy brushed aluminium case with solid aluminium knobs. It is the perfect companion to your laptop, whether you are using a sequencer, DJ-ing or VJ-ing, just plug in the USB cable and go. Despite having only 9 knobs, 9 buttons and a joystick, the Killamix-Mini can in effect be 144 knobs,144 buttons and a joystick.

By pressing a single knob you can select any MIDI transmit channel from 1 to 9, or, with a combination of two knobs, select the remaining channels 10 to 16. When you select a new MIDI channel, the current values of the knobs for that channel are stored so that they can be restored when you next select this channel, thus avoiding any parameter jump difficulties typical of units with traditional knobs and faders.

When the values are restored, the LED rings around the knobs indicate their new positions.

Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility

Notes: Adaptor with 2 x phono sockets to 2 x phono sockets

Depth (mm): 10
Height (mm): 30
Width (mm): 25
Product Dimensions (mm): 30x25x10
Net weight (kg): 0.010
Colour: Black

Notes: Updated version of Akai's excellent MPC One features increased storage, WiFi, Bluetooth and a striking new colour scheme. Full standalone beat creation masterpiece.

Supplier's Notes:
MPC One +

Standalone MPC with 7" touchscreen / WiFi & Bluetooth

Supercharge your beats

Standalone supercharged

The new MPC One+ brings a jolt of energy to the standalone workflow to enhance creative speed and efficiency. With MPC One+, beatmakers producers to live performers can enjoy the creative journey like never before.

Pure standalone power in your hands

At the heart of MPC One+ is the powerful multi-core processor, the same featured in the flagship MPC X. This isn't a scaled down little brother, but a production unit built with the same DNA for high-level music creation. Instruments, audio, MIDI, and effects processing to bring the music to life. With an upgraded 16GB of internal storage, create and store more of your inspired moments right in MPC One+ for immediate access and recall.

Wireless for the future

New Wi-Fi and Bluetooth connectivity opens a new world of possibilities for your creative workflow. With Wi-Fi, you now have access to Ableton Link 3 to wirelessly connect and sync all your capable devices. Lock patterns and grooves for a mega creation without any cables or connections. Grab your Bluetooth enabled MIDI controller to lay down synths and melodies while your infectious rhythms have you vibing to the beat. Pair with a wireless QWERTY keyboard to search through folders and libraries accurately. With Wi-Fi and Bluetooth, your MPC One+ may be untethered but you are locked right into the music.

The centre of your creativity

MPC One+ is meant to be the focal point of your creative workspace. Whether you need compact, efficient beat-making or expanded interconnected production and composition, MPC One+ is versatile enough to accommodate any need. Connect your studio speakers to Stereo Outputs for accurate monitoring. A pair of Line Level Inputs are ready for keyboards, synths, instruments, hardware processors, and more. Expand your I/O with support for ClassCompliant Devices via a USB A host port. Connect your favorite plug-and-play USB MIDI Controllers, Audio Interface Devices, or removable storage drives, and take your production up another level with ease.

The workflow that sparks inspiration

MPC is the premier platform for all pattern-based music from EDM to Electro, Hip-Hop to House, and beyond. With 128 MIDI and 8 Audio Tracks per project, MPC One can capture any idea just as fast as you can think it. Browse thousands of MPC Plugin Instrument Presets to find that perfect sound to build melodies or shape harmonic phrases with massive sonics. Lay down serious drums and percussion with the signature MPC groove and precision. 16 Levels, Note Repeat, and Time Correct have defined the rhythmic feel for generations and continue to be the foundation for hit song after hit song. Use the pads in combination with Notes and Chords modes to unlock a completely new world of pad performance using the 16 velocity-sensitive RGB backlit pads.

One place for your sounds, samples, and songs

MPC One+ grows with you as you evolve on your music production journey. Update features, sounds, and samples wirelessly thanks to built-in Wi-Fi. When new MPC plugin instruments are available, you'll enjoy instant notifications as well as downloads and software authorizations right from your MPC One+. Browse and sync your curated Splice loops and samples and give your productions a breath of fresh inspiration whenever you need it. Keep all your sounds and instruments right within reach to instantly capture the most inspired moments anytime.

The next step of your MPC journey

MPC One+ is here for the producers and beatmakers ready to take the next step in the journey. Upgrade to MPC One+ from MPC Beats and load your old projects seamlessly on MPC One+. Your MPK mini or other class-compliant controller connects for powerful keyboard control of popular MPC plugin instruments like Hype, Mellotron, or Odyssey. For a limited time, receive a voucher for a free MPC Plugin instrument download from the MPC Store with the purchase and registration of a new MPC One+. MPC One+ has arrived and the musical possibilities ahead of you are endless with the power of its supercharged standalone workflow.

Technical Specifications

Pads
(16) velocity- and pressure-sensitive pads, RGB-backlit
(8) banks accessible via 4 Pad Bank buttons

Knobs
(4) 360- touch-sensitive Q-Link knobs for parameter adjustment
(1) data encoder for value adjustment and selection via push

Buttons
(31) dedicated-function buttons

Display
7.0" / 177 mm (diagonal)
5.9" x 3.7" / 151 x 94 mm (width x height)
Full-colour LED-backlit display with touch interface

Memory
Processor: Quad-core ARMr processor
RAM: 2 GB
Storage: 16 GB (over 7.8 GB available for user storage)

Power via power adapter (12 V, 3.0 A, center-positive, included)

Connections
(2) 1/4" (6.35 mm) TRS inputs (1 stereo pair)
(2) 1/4" (6.35 mm) TRS outputs (1 stereo pair)
(1) 1/8" (3.5 mm) stereo headphone output
(1) 5-pin MIDI inputs
(1) 5-pin MIDI output
(4) 4 TRS CV/Gate Jacks, 8 Outputs Total
(1) USB Type-A port
(1) USB Type-B port
(1) SD Card slot
(1) Power Adapter input

Dimensions (width x depth x height)
10.7" x 10.7" x 2.1"
272 x 272 x 53 mm

Weight
4.7 lbs / 2.1 kg

Notes: Male 3.5mm (1/8") TRS to Female 5-pin DIN adapter.

This adapter cable will connect the Organelle M's TRS-MIDI In or Out ports to another device with a 5-pin DIN MIDI port.

This adapter cable is TRS-MIDI Type A as set by the MIDI Manufacturers Association. Type A is the adopted standard of the MMA.

Overall length: 10.25" (~26cm)

Notes: Module A-130-2 is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

The module is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

- Gain: manual gain control (Initial Gain) in the range 0...1
- CV: attenuator for the CV input
- Lin/Exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)

Inputs and outputs (for each of both units):

- CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
- In: signal input, max. 16Vpp (+8V...-8V) without distortion
- Out: signal output

Notes: Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm

Notes: Exciting entry-level interface from legendary studio brand SSL, best known for their high-end mixing consoles and outboard gear. 2-in, 2-out design with 'Legacy 4K' feature to add classic analogue sound.

*** New Loopback feature - May 2023 ***

Loopback allows you to take the output audio stream from your SSL 2 or SSL 2+ and record it back into the DAW (or another application). This can be really useful for music makers, podcasters and streamers.

To take advantage of the new loopback feature of the SSL 2/2+ you will need to update your SSL2/2+ using the SSL USB Audio Firmware updater.

Supplier's notes:
Solid State Logic studio tools have been at the heart of music production for over 40 years, helping world famous artists, producers and studios to create so many of the records you've come to know and love. Now, with SSL 2, you get all that hit-making know-how in your own personal studio.

With beautifully SSL-designed analogue microphone preamps and immaculate 24/192kHz conversion for studio-quality recording, pristine monitoring path and high-performance headphone amp for crystal-clear playback and an intuitive front-panel low-latency monitor mix control, you're always ready to capture the next great performance.

The 'Legacy 4K' mode - inspired by classic SSL consoles, gives you the ability to add extra analogue character and sparkle to your sources when needed.

To top it all off, the included 'SSL Production Pack' software bundle, which includes some of SSL's own studio-grade Native plug-ins and a carefully selected range of DAWs, samples, loops and virtual instruments from industry leaders, gives you an incredible arsenal of tools for creating your next hit.

Notes: The TipTop Audio Stackcables allow you to stack your cables to give you complex signal flows with greater visibility

Notes: The SC21 is a high-quality 30cm (11.8') Lightning to USB-C cable.

This Lightning Accessory cable is designed to connect MFi-certified USB-C microphones to iOS devices.

It is particularly suitable for connecting the RODE Wireless GO II and AI-Micro to iOS devices. Note - this cable will not charge or sync your iOS device.

Acoustic & electrical specifications:

Output Connection: Lightning Connector

Inputs:Type C

Mechanical specifications:

Weight (grams): 6
Dimensions (millimetres) - Cable Length: 300

Compatible RODE Products:
AI-Micro
Wireless GO II
VideoMic NTG
VideoMic GO II

Notes: ETHER is a wide-band receiver that makes it possible to perceive the electromagnetic landscape around you.

ETHER is a kind of anti-radio. Instead of being tuned to a specific radio station, it receives all the interference and radiation that a traditional radio tries to eliminate in order to create a clean signal. It captures the radio waves as is from hertz to gigahertz because it doesn't contain the tuned input circuit that filters out all frequencies except the narrow band of a specific station. This allows ETHER to perceive the invisible electromagnetic landscape that humans created unintentionally, making possible live electromagnetic field listening and recording.

The design was inspired by the design for the very first radios (early 1900s) that had no tuning wheel. At this time there weren't many radio stations, and all of them used Morse code. It was possible to distinguish each transmitter by ear, as each one had its own specific timbre or voice.

ETHER is pocket-sized (103x58x17mm) and light-weight (73g with batteries). It consumes very little power and runs on two AAA batteries. How long it can run on two batteries is unclear,- but the battery life is more than 300 hours if you using alkaline or lithium batteries.

ETHER was intended to be a unique accessory for the conscious modern human. Special designed enclosures made in Europe were used, as well as high-quality PCB and furniture providing long life and high reliability. So with ETHER, you get both a unique sound experience and a cool-looking high-quality gizmo.

ETHER has both magnetic and electric components for sensing radiation. For the magnetic component, it has a built-in magnetic antenna, like the ones used in old long-wave radios. The antenna has maximum sensitivity on ETHER's axis. By changing the orientation, angle and position of ETHER, you will change the sound. For the electric component, it has antennas printed on the PCB and the special input pins placed on the anterior surface.

ETHER V2 has two external antenna pins. You can touch any conductive material or surface (including your body) with the pins and use objects or yourself as a big external antenna! Two pins are connected to different points of the circuit and interact differently with electromagnetic waves. Switching from one to another or using them both, you can change the sound. Far away from a city, we recommend trying to use a piece of wire 1-4 meters long connected to one of the pins for getting some interesting sound.

ETHER V2 has two wheels for sound control and the power switch. The upper wheel adjusts the amount of high-frequency amplification and regeneration. The lower wheel is the volume. By adjusting high-frequency gain you can focus ETHER on different dynamical levels of surround interferences getting the richest and interesting sound.

ETHER is not just an inductive sniffer like some projects you can easily find online. A simple low-frequency inductive sniffer will be silent in most places that are full of sounds in the video. Such devices need to be placed close to an emitting source and will not work on a street. All they contain is a coil and a low-frequency amplifier. In comparison, ETHER has a regenerative circuit and a demodulator, making it an actual radio wave receiver, not just an amplifier of low-frequency magnetic fields. However, ETHER can perceive the low-frequency magnetic fields as well. But, honestly, if your goal is to scan objects in close proximity (0-20 centimeters), a simple inductive sniffer will work cleaner and more focused due to its narrow band and lower sensitivity. ETHER was designed to be a part of your walks in the city and may even pick up sounds in a forest or at the seashore. Also, ETHER can perceive the electric component of the radiation as well, capturing radiation that is far above the audio range and is much more sensitive. Therefore, it has a significantly different design, functions and implementation than a simple inductive sniffer even if in some cases their functions can overlap.

ETHER is very sensitive to any kind of digital circuitry that's in close proximity, hence the lack of an SD-card recorder or something like that inside. You also have to make sure to keep other electronic devices that you carry (phone, laptop, recorder) at least 30cm/1ft away to avoid interference, but ETHER definitely works well when you walk around with a smartphone and laptop.

Notes: For those who rely on live computer audio & MIDI, and need a bulletproof, fail-proof solution for control and playback of backing tracks, virtual instruments or anything else you can think of, PlayAUDIO12 is the solution.

Designed by live musicians for live musicians.

PlayAUDIO12 won't let you down. Designed by touring musicians and engineers, PlayAUDIO12 is purpose-built for professional on-stage use. Your audience won't accept compromises, and now you don't have to either.

PlayAUDIO12 is flexible, to suit your ever changing live needs.

12 ultra-low noise outputs bring studio quality interfacing to the live arena. Need more outputs? No problem! PlayAUDIO12 is easily linked with additional PlayAUDIO12 interfaces, giving you connectivity which grows with the needs of your production.

Simple and dependable fail-proof redundancy.

PlayAUDIO12 enables you to add a second computer for redundancy / failover protection. PlayAUDIO12 automatically detects if a computer fails and, in a flash, automatically switches to another synchronized computer.

Forget the expensive, complex systems that have gone before, PlayAUDIO12 does it all seamlessly in one compact, elegant, and affordable box. With PlayAUDIO12 you need never suffer the embarrassment of a silent show, ever again.

Massive MIDI capability - more than just audio!

Connect up to 8 MIDI Class Compliant controllers and sound modules, or even more MIDI interfaces using the unique iConnectivity USB MIDI Host port.

Create a MIDI network across long distances using the built-in PA12 Ethernet interface, ideal for large stages.

PlayAUDIO12 puts MIDI control over your performance how and where you need it.

What Makes PlayAUDIO12 Unique?

Other audio interfaces: Designed for recording audio in a studio environment. Support for only one computer.

The PlayAUDIO12 difference:

More power to perform:
Designed for live use.
Fail-safe performance with multi-computer auto switching.
MIDI integration that puts MIDI control how and where you need it

What's in the box
The PlayAUDIO12 Audio + MIDI interface
One USB-A to USB-B cable to connect the interface to a Mac or PC computer
One PlayAUDIO12 power supply.

Big Fish Audio is a developer and distributor of premium virtual instruments, samples, and loop content. iConnectivity is proud to include a special sampler of Big Fish Audio samples and loops that's perfect to jumpstart or augment your production when you register your iConnectivity audio interface.

PlayAUDIO12 Audio Specifications:

Line Outputs
Maximum Output Level: 13 dBu, 11 dBV, 3.6 Vrms
SNR: 122 dB (1kHz, BW: 22Hz-22kHz, A-weighting)
THD+N: -116 dB (1kHz, BW: 22Hz-22kHz, A-weighting)

Headphone
SNR: 100 dB (1kHz, BW: 22Hz-22kHz, A-weighting)
THD+N: -100 dB (1kHz, BW: 22Hz-22kHz, A-weighting)
Power output into 30 Ohms per channel: 73 mW per channel

Digital Performance
24-bit resolution
D-A Dynamic Range:115dB
THD+N: -107 dB (1kHz, BW: 22Hz-22kHz, A-weighting)
Supported sample rates: 44.1 kHz, 48 kHz, and 96 kHz

Device Specifications
Width: 214 mm/8.43 in
Height: 37 mm/1.46 in
Depth: 140 mm/5.51 in
Weight: 965 g/2.13 lbs

Up to two PlayAUDIO12 fit comfortably in a standard 1U rack shelf

System Requirements

Macintosh
Mac OS X 10.8 or later
one free USB port

Windows
Windows 7 or later
one free USB port.

iOS
iOS 8 or later with Lightning connector
CoreMIDI-compatible app